commercial & editorial photography from beautiful austin, texas.

Guess Ted’s Lighting

If you haven’t had a chance to check out GuessTheLighting.com, I recommend you give it a look (especially if you are into lighting like I am). Ted Sabarese runs the show over there, where he dissects images and offers his take on how he thought the lighting for an image was done.

Always entertaining and informative, it will give you a good primer on lighting if you are new to it. If you are a veteran it will offer you some great ways to think about how to light your next shoot. In any case, you will get a laugh with each post as Ted pontificates on the behind-the-scenes drama of a particular shoot.

So, in deference to Ted, I offer my own “Guess The Lighting” post to breakdown his bio picture:

Let’s discuss how this shoot was accomplished:

Camera: Canon 5D Mark 2 with 50mm lens, on a tripod, remotely triggered from 5 feet away. Shot at 1/100, f5.6, ISO 800

Lighting: Tungsten light bulb, camera right, 10 feet off the ground. Otherwise known as ‘porch light’. Ferrari headlight, camera left, 40 yards back.

Wardrobe: Nike hunter green parka with matching hoodie, 2006 (discontinued.)

Comments: This image was taken at the winter home of Sean Connnery. On this rainy day, Ted was tasked with walking Mr. Connery from his house to the photo set (which involved a 2014 Ferrari concept car and a Louis Vitton bag). Ted managed to keep Mr. Connery dry for the 7 minute walk to the car (and its pre-activated heated leather seats).

You can check out Ted’s great posts at GuessTheLighting.com.

Pin the Tail on the TOS

I’ve been watching the Pinterest saga for a few weeks now. Although I have an account, I haven’t used it yet (although I find it interesting that people have somehow found me there). As is the case with many social networks, the issue here are the terms of service that you agree to when you use Pinterest. Depending on your position (and your area of photographic expertise), you are either unbothered by these terms or you find them ridiculous. First, here are the terms as posted here (emphasis mine):

By making available any Member Content through the Site, Application or Services, you hereby grant to Cold Brew Labs a worldwide, irrevocable, perpetual, non-exclusive, transferable, royalty-free license, with the right to sublicense, to use, copy, adapt, modify, distribute, license, sell, transfer, publicly display, publicly perform, transmit, stream, broadcast, access, view, and otherwise exploit such Member Content only on, through or by means of the Site, Application or Services. Cold Brew Labs does not claim any ownership rights in any such Member Content and nothing in these Terms will be deemed to restrict any rights that you may have to use and exploit any such Member Content.

You acknowledge and agree that you are solely responsible for all Member Content that you make available through the Site, Application and Services. Accordingly, you represent and warrant that: (i) you either are the sole and exclusive owner of all Member Content that you make available through the Site, Application and Services or you have all rights, licenses, consents and releases that are necessary to grant to Cold Brew Labs the rights in such Member Content, as contemplated under these Terms; and (ii) neither the Member Content nor your posting, uploading, publication, submission or transmittal of the Member Content or Cold Brew Labs’ use of the Member Content (or any portion thereof) on, through or by means of the Site, Application and the Services will infringe, misappropriate or violate a third party’s patent, copyright, trademark, trade secret, moral rights or other proprietary or intellectual property rights, or rights of publicity or privacy, or result in the violation of any applicable law or regulation.

Right off the bat, it’s obvious this is generic CYA legal speak: when in doubt, claim everything and you’re covered. And looking at the terms, it looks like they’ve claimed just about anything they can (except for ownership, which is relegated to near-junk-bond status after the pilfering of rights listed above). As listed, they can do pretty much whatever they want with the content you have. At first glance – who cares? If I’m posting a product link to B&H, I don’t care about this part. Where I do care, however, is with my content. My images are mine, and I don’t like such grandiose rights claims about them, especially on a site that won’t work without users submitting their content. Even more ridiculous is the second paragraph above, where they assert that you must either have the ownership to the content you post, or have secured the rights to post it. Who has such rights to all of the content on the internet? Of course, no one. Your interests are varied, and you want to share them. You’re not a ‘collector of rights.’

In this way, Pinterest’s TOS are at odds with its own reason for being: if you can’t share what you don’t own, you can’t pin, and if you can’t pin, Pinterest has no content. It’s like signing up for a 5k race and then being told by the organizers that you need to get the proper permits from the city to have a race. No one would show up.

Some photographers (Trey Ratcliff, notably) argue that you should stop complaining and embrace the wave of the future. This being the wave of giving away your work for free, hoping that exposure to the world (consisting mostly of, surprise, other photographers) leads to being hired by ‘other’ people (the ones that actually hire photographers)). Trey is an awesome, successful photographer, but he’s also an edge case. You cannot start a photo business today by self-funding shoots, giving those away for free, hoping for someone to hire or license them. It’s not a business plan.

Indeed, some photographers have begun to question their use of Pinterest, even removing their images entirely. Others (some wedding photographers, for example) have openly embraced Pinterest because it is good at driving traffic and getting your work in front of the public. This is why I said that it depends on the type of photographer you are. Family/couple-related imagery usually has no lasting commercial value, because (at least on the wedding side) most photographers license those images to the clients to do with as they please. There’s nothing to stop someone (nor should there be) from pinning their favorite image from their wedding.

What’s been missing so far in this is a response from larger commercial companies. Should the legal team of a large company be concerned that Pinterest claims an open-ended license of their assets? Maybe, maybe not. On the one hand, what would Pinterest do with them? I thought of this for a while. What if they put together a harmless television ad, showing a collage of content submitted by users? Do you think the Pinterest legal team might make some effort to license, say, this pinned image before featuring it in an ad? You bet they would.

Pinterest eventually will have to clarify their TOS (last updated March, 2011). We saw the same thing with iBooks Author when it was released. Pinterest can be a very powerful platform, with a lot of *trusted* engagement, if they do.

In the meantime, I’ll keep my account there open, with nothing pinned. Well, except for this article.

The irony of pinning this post, with accompanying Pinterest logo, is not lost on me. According to their TOS, I must own their logo.

 

Blogs In The Sky Keep On Changin’

I decided recently that it was time to shake things up a little bit in blog land. I now have a snazzy new design thanks to the folks at StudioPress. I’ve also added some additional content at the top. There’s a page for Photog.TV, as well as my luminosity mask set. At the bottom, you’ll see some of my recent Instagram images (yes, I know, I need to use it more often).

And since a post can always benefit with a picture, here are a few shots of the boys taken while we were visiting some family in Oklahoma. They look so happy to be standing in a field.

One on One, Part One.

Debbie emailed me last November from Atlanta. She’s a wedding photographer and was looking for ways to change things up in her lighting and the post-processing of her work (including her portrait work as well). A “creative bootcamp”, as she put it, in her initial email. She asked if I did any workshops. I didn’t have any plans for one anytime soon. She began suggesting that she be a ‘guinea pig’ for a full-day one-on-one training thing. We emailed back and forth, and it finally worked out this past Friday. She came into town and we spent all day covering lighting and post production. I had no secrets – we opened every image she wanted and I discussed in detail what I was thinking on set and I how I did the work in Photoshop afterwards. We talked about lighting modifiers, how they affect the light, and how to get more efficient use out of her gear.

We also enjoyed an Italian lunch at Mandola’s. I probably would have been there that day anyways because I like fresh mozzarella (being half-Italian and all).

Debbie showed up with images that she wanted to discuss, and she took great notes:

And I made use of a whiteboard to, well, “sketch” things:

It was a great time! I could see doing it again.